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Singer Spotlight: Catherine van der Salm
Our Singer Spotlight series continues with soprano Catherine van der Salm! What was your first performance with Cappella Romana? I sang my first concerts with Cappella Romana in November 2006, gorgeous Russian music under the direction of Mark Bailey. What Non-Cappella Romana Projects are you excited to share? I love to sing chamber music and new music!
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Kastalsky Requiem: Program Notes
Vasily Polikarpovich Titov (c.1650–c.1715) – Cherubic Hymn; Megalynarion Vasily Titov was one of two leading composers of Russian Baroque music, the other being Nikolai Diletsky (c. 1630–80). Titov’s life and work mark the mid-point of the process of Russia’s musical Westernization, which gained new momentum during the reign of Tsar Peter the Great (1689 –1725).
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Byzantine Christmas: Sun of Justice – Taking the Journey
The ecclesiastical feast day celebrating the Nativity of Jesus Christ – which came to be called simply “Christ’s Mass,” or “Christmas” in English – was added to the calendar in the Eastern Church somewhat later than other major feasts. Originally, Christ’s Nativity and Baptism were celebrated on the same day: Epiphany (January 6). Much has
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Ivan Moody Talks Akáthistos Hymn With iClassics
“The harmonies are lush and dark in Russian style, though periodically the shadows disperse as in a cloud-break and the sound brightens. The effect over the whole hymn is of a slow revelation of light and warmth over an ancient musical ground.” (Willamette Week) “Something new, substantial, and profound” (Sunday Oregonian) Standing Room Only — Ivan
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Support Cappella Romana by December 31
“Kassianí’s time-defying flow of melodies imparts serene glimpses into eternity.” —Gramophone Magazine “The most beautiful concert experience in recent memory.” —Cappella Romana Patron Dear friend, I believe you’ve felt it: That moment when the music washes over you and an amazing calmness takes over. Your heartbeat slows. Your breathing gets deeper. You connect with something
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Ave Maria: Program Notes
Josquin des Prez and Heinrich Isaac were two Renaissance composers with two quite different characters, in music and in life. We know what Isaac’s signature looked like because he dutifully signed the account books as a musical servant of the Emperor Maximilian. We know what Josquin’s signature looked like because he carved it (not at
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Lost Treasures of Armenia
The Holy Armenian Apostolic Orthodox Church continues to embody a living tradition of primarily monodic vocal music of exceptional richness and beauty. Though its hymnography is traditionally believed to have commenced with the invention of the Armenian alphabet in the fifth century, and the Hymnal as a canonical collection was definitively closed in the fourteenth
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The Psalm 103 Project
Heaven and Earth: A Song of Creation 12-14 Oct, 2018 TICKETS & INFO Cappella Romana’s Heaven and Earth: A Song of Creation Series (October 12-14, 2018) is a collaboration with the Saint John of Damascus Society. A musical meditation on Psalm 103 (“Bless the Lord, O my soul”), the Orthodox Vesperal Psalm, the program premieres
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Nico Muhly Talks about Setting Text to Music
March 2-4, The Tudor Choir will perform the world premiere of Nico Muhly’s Small Raine, inspired by the same English tune as John Tavener used in his 16th-century Western Wind Mass. After watching the video, explore the text of Small Raine and get your CR Presents: The Tudor Choir tickets today! Small Raine Westron wynde,
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Machaut: Messe de Nostre Dame
Guillaume de Machaut (1300-1377) Guillaume de Machaut’s Messe de Nostre Dame (c. 1360-65) began to attract great interest during the 20th century. It is the first mass composed for four voices with a known composer, and as such, it is widely considered to mark the beginning of a new musical era. In addition, Machaut himself
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Sun of Justice: A Two-Fold Offering – Part Two
With this two-fold offering of traditional Byzantine Music, we seek to give the listener two distinct yet complementary experiences: first, that of being in a traditional Orthodox church somewhere in the Middle East, wherein one choir sings in Greek and the other in Arabic; and second: that of being in a traditional Orthodox church in
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Arctic Light II: Northern Exposure – Program Notes
The genesis of this concert program occurred last season in January 2017 after renowned Finnish choral conductor Timo Nuoranne was slated to appear with Cappella Romana to direct Einojuhani Rautavaara’s Vigilia (All-Night Vigil). Timo Nuoranne has championed that work in particular throughout his career, having performed it with both Finnish and non-Finnish choirs, and made
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